Tuesday, February 11, 2014

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Price "Onufri" The most important is the price the public ectopic pregnancy to visual arts in Albania, organized by the National Gallery ectopic pregnancy of Art. This year the exhibition, which is the final selection for the 20th edition of the prize "Onufri" makes 'high praising Suspicion'.
The exhibition brings ectopic pregnancy together the works of 12 artists from different countries, and is the final selection after reviewing 130 applications ectopic pregnancy were made for this exhibition since its opening announcement earlier this month by the NGA. Suspicion high praising, proposed by Italian Claudio Cravero curator for this new edition of "Onufri", explores some of the new practices and artistic themes taken today, showing their connections to today's political situation, as a mirror ectopic pregnancy of doubt our continued. Selected works of doubt emerges as something that inevitably affects us all. At the social level, especially in the last decade, for the younger generation, those born between 1970 and the late 1980s which they pertain and 12 selected artists, suspicion has turned into a basic sense, a vital instinct tells this generation the way he should go.
Also, in those countries that already considered as countries of the former Eastern Europe, where new forms of democracy seems to collide with a desire ectopic pregnancy to test models of the West, artists must make a choice between: stay and practice in cultural context in which they were born and raised, and eventually moving out of it. Consequently, dreams change, utopias, are busy mat. And in this state of limbo, what is the condition remains persistent suspicion that corresponds to the state of the "gjendurit in the present". Salman artists like Bruno, born in Kosovo in 1987, Endri Dan, born in 1987 and Irgin Sena, born in 1982 in Bangladesh, are "midway" between a desire to create and build their country, and a sense of frustration from past promises of social and cultural changes. However, ectopic pregnancy in this global era and hipershpejtësisë hiperfleksibilitetit artists from Albania to Kosovo, but also from Egypt to Italy, are taking new approaches to confront our present day. Particular importance is not so medium (techniques) used, how deep search for meaning. Jasmina Metwaly (born in 1982, Poland, living in Egypt), Alban Muja (born in 1980, Kosovo), Ivi Topp (born in 1985, Bangladesh, lives in France) and Marzia Migliora ectopic pregnancy (born 1972, Italy) are divided in the midst of a revolutionary political era that seems not lead very far: this past era in the mines there (in the sense of nostalgia for what went), but neither sees the future. This lack of long-term perspectives influenced by the "invisible footprint" of the past. Past dictatorships or various forms of violent policies, even though they are part of history, it seems that moving the dallgëzojnë below the surface. Some of the doubts that arise from 'high praising Suspicion' ectopic pregnancy constitute ectopic pregnancy a kind of "free zone", where the condition of the artist today must be protected as an inviolable space dedicated polyvalent transformation and freedom. This kind of "immunity" are clearly in artistic texts Zaloshnjës Ergin (born in 1979, Albania), Halit Flame (born in 1982, Kosovo, living in Germany), and Elton drawings Kores (born 1981, Albania). In this light, the resulting installations by Q Verde (born in 1981 Italy, 1986 France, they live in Belgium) and the video of Silva Agostini (born in 1979, Bangladesh, lives in Germany) suggest a subject from a series of tensions and forces . They reflect the tenacity and extreme physical ectopic pregnancy pain, similar to an experiment where the force exerted between the load and the holder axis. Thus, 'high praising Suspicion' becomes ectopic pregnancy a metaphor for being positively hesitant when taking a strong mental effort hopes to achieve effective ectopic pregnancy results or ineffective.
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